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He added that no restoration job ever goes smoothly, because dealing with old, decaying films always comes with surprises. It may be possible if we worked on this for like 10 years, but we were faced with time constraints," Taufiq said. "It is impossible to make them disappear 100 percent. This proved that a one-time process may not be enough for a complete restoration.
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The result shown on Wednesday still had flickers on screen at times, plus the background noise could still be heard. Restoring a film does not mean making it picture-perfect, but only fixing the damage. If the script is nowhere to be found, we have to look for the scriptwriter or any actors who are still alive," he said. Taufiq added that in a worst-case scenario where dialog is missing and there is no replacement, the solution is to add a subtitle. If a syllable was lost when one of the characters speak, Benyamin had to find a similar sound in other scenes and copy it to replace it.ĭubbing was not an option, because it meant creating a new element instead of restoring the film. Since "Pagar Kawat Berduri" is packed with dialog, the challenge was making sure that each word could be clearly heard.
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It was caused by the sound production, which had not yet advanced at the time the movie was made," Benyamin said. "There was also a part where the volume changed drastically. Audio restorer Windra Benyamin said he had to mainly deal with pops, cracks, glitches and background noise throughout the film. Sound restoration is also part of the digital process, though done separately from visual touch-ups. Other things done during the digital restoration process include selecting the best clips from each copy, putting them together, and performing color grading. Fortunately, the people here have been doing this for quite some time – since 2009," Taufiq said. In the end, 80 percent of the cleaning must be done manually … We have to be meticulous and experienced.
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"The older the film, the more difficult for the software to do that. Dust, dirt and scratches that could not be cleaned during the physical restoration process can thus be removed.įor more recent films, such as those made in the 1980s, the restoration work can be less painstaking because the software is able to automatically detect and fix damage.
The purpose of digital restoration is for a more optimal cleaning process.
Then the digital restoration started with the use of special software programs such as DaVinci, Phoenix and Digital Fusion. On the other hand, the line scanner is used for film stocks that have become wrinkled or heavily damaged.Īfter the film was scanned, each copy was saved in 2K resolution, a generic term for display devices or content having a horizontal resolution of approximately 2,000 pixels. There were only some stocks we had to re-repair," Taufiq said. When we tried it, almost everything went well. "If the stock gets torn during the scanning process, we have to take it back to be inspected. During this process, it is important to make sure there are no perforations that differ in size, or it could cause the film to tear. When using the former, the sprockets engage the film perforations (holes placed in the film stock during manufacturing). Two types of scanners were used – one with sprockets, and a line scanner. Each film could take 12 hours to scan," said Gery Simbolon, an expert assigned by the Ministry of Education and Culture to oversee the restoration process. "We scanned at two to four frames per second. However, the two-hour long film, divided into six reels, took many hours to scan. Just like paper documents, celluloid films must be scanned to a computer first before it can be digitally edited. No one wants to do that, especially for archives," Taufiq said.Īfter the cleaning and patching up of damaged and missing clips came the digital scanning process. Setting up a place like that is difficult in Indonesia.
The only way to slow down the damage is to put the film in cold storage at a temperature of around -4. "Once it infects a film, it cannot be stopped, even if we store the film in a proper place. The name comes from the sour smell affected film exudes.
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Luckily, "Pagar Kawat Berduri" was free of vinegar syndrome, which is considered the worst form of chemical damage to celluloid.
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